The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy at Tate Modern Uncategorized by Melissa OgierFebruary 27, 2018February 27, 2018
The Unmanned at Mona: A Two Part Epic Uncategorized by Melissa OgierFebruary 22, 2018February 21, 2018
Sydney Style: the MCA Store teams with From St Xavier to release art inspired clutches Uncategorized by Melissa OgierFebruary 2, 2018February 2, 2018
‘OPUS’ at Marfa Gallery: Pre-5 with Mark Chu Uncategorized by Melissa OgierFebruary 2, 2018February 2, 2018
ACMI: The Mordant Family VR Commission wants mid-career & established visual artists to get experimental Uncategorized by Melissa OgierJanuary 30, 2018
Snug Succour: Katie Eraser at Besser Space Uncategorized by Melissa OgierJanuary 24, 2018January 24, 2018
Stepping Out: Nocturnal at Melbourne Museum Uncategorized by Melissa OgierJanuary 11, 2018January 11, 2018
Before/On/After: William Wegman and California Conceptualism at The Met Breuer Uncategorized by Tania OgierJanuary 6, 2018
NYC: William Eggleston’s Color Photograph Series, Los Alamos, to be shown at The Met Uncategorized by Melissa OgierDecember 20, 2017
The Freedom Calendar 2018 features 20 Australian artists responding to refugees on Manus Island Uncategorized by Melissa OgierDecember 19, 2017
The Sunshine State: our top QLD Stories for 2017 Uncategorized by Tania OgierDecember 16, 2017December 31, 2017
Soda_Jerk announce a political revenge fable in three acts at ACMI music by Melissa OgierDecember 5, 2017February 4, 2018
In Brisbane: Yayoi Kusama’s Life is the Heart of a Rainbow at GOMA Uncategorized by Tania OgierNovember 27, 2017November 27, 2017
TGW Video Q+A: Mo•Louie x Youthfire’s TECHNICOLOUR WONDERLAND Uncategorized by Melissa OgierNovember 23, 2017November 22, 2017
Fashion, Photography and Early Hip-Hop Culture: a conversation with Jamel Shabazz at MoMA Uncategorized by Melissa OgierNovember 22, 2017November 22, 2017
The Garb Wire 